Overall
Comments
Good to talk to you
earlier this afternoon.
These notes are no
more than bullet points from our telephone discussion and may well apply as
much, or more to your continuing studies as to your current assessment.
Learning Log and or
blog — as you move through this second level and into level
3 (HE6) you should think more and more about the context of your work, the
underpinning critical theory and your engagement as a lens-based practitioner
with the world of visual and other culture, photographic or otherwise. Remember that in part the learning log is a
way of showing the assessors your level of studentship and that goes far beyond
the narrow confines of the particular module you are on at any one time.
Essay —
I think that you have simply tried to do too much in your critical review, a
common mistake that we have all made at one time or another. Be guided by the word count, a shortish essay
calls for depth more than breadth. I
think that you could have achieved what you set out to do by telling the story
of Lee Millar, her start as a model and then her move behind the camera, the
links with the Surrealist movement and the British art hierarchy, her work as a
war correspondent, particularly her images of the concentration camps and her
subsequent burial (?) by the male photographic establishment. However I would not want you to agonise over
this particular essay any more, take it as a lesson learned and move on!
Remember that the OCA
requires a digital version of your critical review/essay and it is best to ring
the office to make sure of the best way to achieve this.
Images —
I understand that you are sending the assignments as digital files with a
selection of images printed out with (wide borders, no plastic wallets and in
an archive box). It might well be best
to have all the assignments on a single DVD or USB drive organised in a folder
that is only one level deep if possible and easy to navigate at any rate. The assessment conditions make swapping cds a
time consuming distraction that the assessors can do without and everything that
makes it possible for them to concentrate on you visual work without needless
distractions can only be to your benefit.
I
hope that you find the Landscape module stretches you in the ways that you want
and gives you plenty of scope to develop your practice in new directions.
I
wish you all the best for this assessment and for the future and if there is
anything I can help with in the future don’t hesitate to e-mail me (if you get
no reply try again!)
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